EXCLUSIVE: So how does Sony Pictures continue to remind awards voters about The Social Network when it was released way back in September? If you’re primo Jeff Blake, chairman of Worldwide Marketing and Distribution for Sony Pictures, you decide to re-release the Oscar-touted Facebook origins story in about 600 nationwide theaters on January 7th to take advantage of all the critical acclaim and awards hype. And then launch the DVD on January 11th with more than 8 hours of bonus extras. But you also fete the fact that The Social Network will pass $200 million at the worldwide box office within the week. To date, The Social Network has grossed more than $93 million in the U.S. and $104 million overseas. Commenting on the announcement, Blake said, “At the box office, this film showed true staying power, grossing more than four times its opening weekend gross – a rare accomplishment when the average for wide releases last year was below three times its opening weekend gross.” It’s the best chance Sony’s Columbia Pictures has had to win Best Picture Oscar since 1988.

The Social Network nearly swept honors from the National Board of Review, including Best Picture, Best Director, Best Screenplay, and Best Actor for Jesse Eisenberg. The film has also received six Golden Globe nominations, including Best Picture – Drama, Best Director, Best Screenplay, Best Original Score, and nominations for Eisenberg and Andrew Garfield, as well as two nominations from the Screen Actors Guild, including Ensemble and Eisenberg for Best Actor, and nominations for Best Picture from the Producers Guild of America and Best Adapted Screenplay from the Writers Guild of America. The film has also been named Best Picture by 24 critics groups, including the New York Film Critics Circle, the New York Film Critics Online, the Los Angeles Film Critics Association, the Chicago Film Critics Association, the San Francisco Film Critics, the Boston Society of Film Critics, the Dallas/Ft. Worth Film Critics Association, the Washington Area Film Critics Association, the Toronto Film Critics Association, the UK Regional Critics Awards, Sight and Sound, the Village Voice/LA Weekly Critics Poll, the African American Film Critics Association, the Black Film Critics Circle, the Southeastern Film Critics Association, the Houston Film Critics Society, the Detroit Film Critics Society, the Florida Film Critics Circle Awards, the St. Louis Film Critics Association, the Indiana Film Journalist Awards, the Utah Film Critics Association, the Oklahoma Film Critics Circle, and the Las Vegas Film Critics Society. The film also appears on over 350 critics’ Top Ten lists.

The film has been named Best Picture of the Year by numerous publications, including The New York Times, New York Post, The New Yorker, Los Angeles Times, Wall Street Journal, Washington Post, LA Weekly, Entertainment Weekly, Rolling Stone, Chicago Sun-Times, Denver Post, Boston Phoenix, Cleveland Sun, the Daily Mail, the Daily Telegraph, the Huffington Post, IFC.com, Miami Herald, Lincoln Journal-Star, Milwaukee Journal Sentinel, MSN Movies, North County Times, Oklahoma Gazette, Omaha World Herald, Orlando Weekly, Sight & Sound, Time Out Chicago, Time Out New York, and Tulsa World, among many others.

ret
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4 years
I think Inception should also be re-released. Let the two go head to head and let the...
jake
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4 years
I'm glad that some studios realize the importance of this -- if only they had done that...
It's_A_Fact
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4 years
You should seek medical help for your infatuation with the most overrated movie released in 2010. No...

The film is produced by Scott Rudin, Dana Brunetti, Michael De Luca, and Ceán Chaffin and based on the outline for the book “The Accidental Billionaires” by Ben Mezrich. It was written by Aaron Sorkin and directed by David Fincher.