Sundance: 2011 Winners: 'Like Crazy' Wins Grand Jury Dramatic Prize, 'How To Die In Oregon' Wins Documentary

The 2011 Sundance Film Festival Awards went down tonight in Park City. While the biggest surprise was the volume of films acquired by distributor, in the end, the story was about excellence in independent film making. The big winner of the evening was the Drake Doremus-directed love story Like Crazy, which took the Grand Jury Prize for Drama. The film was the first major deal of a festival full of them, with a $4 million acquisition by Paramount and Indian Paintbrush that started a flurry of transactions. The event was hosted by Tim Blake Nelson, who starred in the festival film Flypaper, and who materialized dressed as a snowflake. Festival director John Cooper did the same. No one held the silliness against them, because they launched right into proceedings that moves at such a swift pace, I wondered if they were double parked  outside.  Here’s the list of winners:

2011 Sundance Film Festival Award Winners:

The Grand Jury Prize: Documentary was presented to How to Die in Oregon, directed by Peter D. Richardson. In 1994 Oregon became the first state to legalize physician-assisted suicide. How to Die in Oregon gently enters the lives of terminally ill Oregonians to illuminate the power of death with dignity.

The Grand Jury Prize: Dramatic was presented to Like Crazy, directed by Drake Doremus; written by Drake Doremus and Ben York Jones. A young American guy and a young British girl meet in college and fall in love. Their love is tested when she is required to leave the country and they must face the challenges of a long-distance relationship.

The World Cinema Jury Prize: Documentary was presented to Hell and Back Again, directed by Danfung Dennis. Told through the eyes of one Marine from the start of his 2009 Afghanistan tour to his distressing return and rehabilitation in the U.S., we witness what modern “unconventional” warfare really means to the men who are fighting it. U.S.A./United Kingdom

The World Cinema Jury Prize: Dramatic was presented to Happy, Happy (Sykt Lykkelig), directed by Anne Sewitsky; written by Ragnhild Tronvoll. A perfect housewife, who just happens to be sex-starved, struggles to keep her emotions in check when an attractive family moves in next door. Norway

The Audience Awards are presented to both a dramatic and documentary film in four competitions as voted by Sundance Film Festival audiences. The 2011 Sundance Film Festival Audience Awards are presented by Acura.

The Audience Award: Documentary was presented to Buck, directed by Cindy Meehl, for her story about the power of non-violence and master horse trainer Buck Brannaman, who uses principles of respect and trust to tame horses and inspire their human counterparts.

The Audience Award: Dramatic was presented to Circumstance, directed and written by Maryam Keshavarz, in which a wealthy Iranian family struggles to contain a teenager’s growing sexual rebellion and her brother’s dangerous obsession.

The World Cinema Audience Award: Documentary was presented to Senna, directed by Asif Kapadia; written by Manish Pandey, about legendary racing driver and Brazilian hero Ayrton Senna, taking us on the ultimate journey of what it means to become the greatest when faced with the constant possibility of death. United Kingdom

The World Cinema Audience Award: Dramatic was presented to Kinyarwanda, directed and written by Alrick Brown, which tells the story of Rwandans who crossed the lines of hatred during the 1994 genocide, turning mosques into places of refuge for Muslims and Christians, Hutus and Tutsis. U.S.A./Rwanda

The Best of NEXT!: Audience Award was presented to to.get.her, directed and written by Erica Dunton about five girls who come together for one fateful night where anything goes. They all had secrets, but their friendship was the only thing they knew to be true.

Directing Awards recognize excellence in directing for dramatic and documentary features.

The Directing Award: Documentary was presented to Resurrect Dead: The Mystery of the Toynbee Tiles, directed by Jon Foy. An urban mystery unfurls as one man pieces together the surreal meaning of hundreds of cryptic tiled messages that have been appearing in city streets across the U.S. and South America.

The Directing Award: Dramatic was presented to Martha Marcy May Marlene, directed and written by Sean Durkin. Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.

The World Cinema Directing Award: Documentary was presented to Project Nim, directed by James Marsh, who explores the story of Nim, the chimpanzee who was taught to communicate with language as he was raised and nurtured like a human child.United Kingdom

The World Cinema Directing Award: Dramatic was presented to Tyrannosaur, directed and written by Paddy Considine. For a man plagued by self-destructive violence and rage, a chance of redemption appears in the form of Hannah, a Christian charity shop worker with a devastating secret of her own. United Kingdom

The Waldo Salt Screenwriting Award was presented to Another Happy Day, directed and written by Sam Levinson, about a pair of reckless siblings who are dragged into a chaotic family wedding by their overwrought mother.

The World Cinema Screenwriting Award was presented to Restoration, directed by Yossi Madmony; written by Erez Kav-El, about an antique furniture restorer, who, aided by a young and mysterious apprentice, struggles to keep his workshop alive, while his relationship with his own estranged son, who is trying to close down the shop, begins to disintegrate. Israel

The Documentary Editing Award went to If A Tree Falls: A Story of the Earth Liberation Front, Matthew Hamachek and Marshall Curry and directed by Marshall Curry. The Earth Liberation Front is a radical environmental group that the FBI calls America’s “number one domestic terrorist threat.” Daniel McGowan, an ELF member, faces life in prison for arson against Oregon timber companies.

The World Cinema Documentary Editing Award was presented to The Black Power Mixtape 1967-1975, edited by Göran Hugo Olsson and Hanna Lejonqvist and directed by Göran Hugo Olsson. From 1967 to 1975, Swedish journalists chronicled the Black Power movement in America. Combining that 16mm footage, undiscovered until now, with contemporary audio interviews, this film illuminates the people and culture that fueled change and brings the movement to life anew.Sweden/U.S.A.

The Excellence in Cinematography Awards honor exceptional cinematography in both dramatic and documentary categories:

The Excellence in Cinematography Award: Documentary was presented to The Redemption of General Butt Naked, directed by Eric Strauss and Daniele Anastasion; cinematographers: Eric Strauss, Ryan Hill and Peter Hutchens. A brutal warlord who murdered thousands during Liberia’s horrific 14-year civil war renounces his violent past and reinvents himself as an Evangelist, facing those he once terrorized.

The Excellence in Cinematography Award: Dramatic was presented to Pariah, directed and written by Dee Rees; cinematographer: Bradford Young. When forced to choose between losing her best friend or destroying her family, a Brooklyn teenager juggles conflicting identities and endures heartbreak in a desperate search for sexual expression.

The World Cinema Cinematography Award: Documentary was presented to Hell and Back Again, directed by Danfung Dennis; cinematographer: Danfung Dennis. Told through the eyes of one Marine from the start of his 2009 Afghanistan tour to his distressing return and rehabilitation in the U.S., we witness what modern “unconventional” warfare really means to the men who are fighting it. U.S.A./United Kingdom

The World Cinema Cinematography Award: Dramatic was presented to All Your Dead Ones, directed by Carlos Moreno; written by Alonso Torres and Carlos Moreno; cinematographer: Diego F. Jimenez. One morning, a peasant wakes to find a pile of bodies in the middle of his crops. When he goes to the authorities, he quickly realizes that the dead ones are a problem nobody wants to deal with. Colombia

Two World Cinema Special Jury Prizes: Dramatic for Breakout Performances were presented to Olivia Colman and Peter Mullan for their roles in Tyrannosaur, directed and written by Paddy Considine.For a man plagued by self-destructive violence and rage, a chance of redemption appears in the form of Hannah, a Christian charity shop worker with a devastating secret of her own. United Kingdom.
A World Cinema Special Jury Prize: Documentary was presented to Position Among the Stars (Stand van de Sterren) directed by Leonard Retel Helmrich, for his expose of the effects of globalization on Indonesia’s rapidly changing society as it ripples into the life of a poor Christian woman living in the slums of Jakarta with her Muslim sons and teenage granddaughter. The Netherlands

A Special Jury Prize: Documentary was presented to BEING ELMO: A Puppeteer’s Journey, directed by Constance Marks, an inspirational film that crosses cultures and generations

A Special Jury Prize: Dramatic was presented to Another Earth directed by Mike Cahill; written by Mike Cahill and Brit Marling. On the eve of the discovery of a duplicate Earth, a horrible tragedy irrevocably alters the lives of two strangers, who begin an unlikely love affair.

A Special Jury Prize: Dramatic was presented to Felicity Jones for her role in Like Crazy, directed by Drake Doremus; written by Drake Doremus and Ben York Jones. A young American guy and a young British girl meet in college and fall in love. Their love is tested when she is required to leave the country and they must face the challenges of a long-distance relationship.

As announced on Tuesday, the Jury Prize in Short Filmmaking was awarded to Brick Novax pt 1 and 2 (Director and screenwriter: Matt Piedmont). The International Jury Prize in Short Filmmaking was given to Deeper Than Yesterday / Australia (Director and screenwriter: Ariel Kleiman). In addition, the jury awarded Honorable Mentions in Short Filmmaking to: Choke / Canada (Director and screenwriter: Michelle Latimer); Diarchy / Italy (Director and screenwriter: Ferdinando Cito Filomarino); The External World / Germany, Ireland (Director and screenwriter: David O’Reilly); The Legend of Beaver Dam / Canada (Director: Jerome Sable, screenwriters: Jerome Sable and Eli Batalion); Out of Reach / Poland (Director and screenwriter: Jakub Stozek); and Protoparticles / Spain (Director and screenwriter: Chema García Ibarra).

On Tuesday Sundance Institute and Mahindra announced the winners of the inaugural Sundance Institute/Mahindra Global Filmmaking Award, in recognition and support of emerging independent filmmakers from around the world. The winning directors and projects are: Bogdan Mustata, Wolf from Romania; Ernesto Contreras, I Dream in Another Language from Mexico; Seng Tat Liew, In What City Does It Live? from Malaysia; and Talya Lavie, Zero Motivation from Israel.

Sundance Institute and NHK (Japan Broadcasting Corporation) on Thursday announced Cherien Dabis, director of May in the Summer, as the winner of the Sundance Institute/NHK Award honoring and supporting emerging filmmakers.

Another Earth, written and directed by Mike Cahill, is the recipient of this year’s Alfred P. Sloan Feature Film Prize. The Prize, which carries a $20,000 cash award by the Alfred P. Sloan Foundation, is presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer, or mathematician as a major character.

  1. Something is in the water at AFI. The winner of the Grand Prize was directed by Drake Doremus, an alumnus of the AFI Conservatory – which was represented by 35 alumni this year at Sundance. Not to mention five Oscar nominees, like Darren Aronofsky.

    1. Yeah, ask Drake about his AFI experience. He was not allowed to do his thesis due to plagiarism. I’m sure he’d like to distance himself from that school.

      1. @Grangier – Drake has had multiple screenings at AFI over the years so I’m not sure what bad blood you’re referring to.

  2. Love how no matter what the award… writing, editing, cinematography… the first person mentioned is the director.

    1. I was thinking the same thing. Like, how dare they always reference the person most directly responsible for every aspect of what is seen on screen? That’s SOOO stupid!

      Editors first, you guys.

  3. Couldn’t be happier for Jonathan
    Schwartz, one of the best guys in town and an amazing producer! Here’s to the good people in our business…

  4. Can’t wait to see to.get.her. !!
    All the reviewers are killing it and then it walks away with the Audience Award. Probably another case of an organized hit on a movie that dares to be different.

  5. I agree with cape fear. The movie TRIED to be different but fell flat and that’s just personal opinion. Kudos to the producer though for having the built-in connections before the festival. To those of you who haven’t seen the film, don’t buy the hype. Go turn on the CW instead you’ll have better luck there. This was our first and probably only last time at the Sundance this year. This festival is just another marketing machine for the studios. If Doremus thinks he’s the next Soderbergh he’s got a lot of catching up to do.

  6. Wow-by my count that’s over 40 awards. Reminds me of Sports Day at my daughter’s pre-school where everyone gets a medal for showing up.

  7. The Next award is a joke. They didn’t have ballots available for the premier of Bellflower, so a packed theatre had no way to voice their opinion, for better or worse.

    But I’m just glad Lord Byron didn’t win, that movie is TERRIBLE.

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